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Permission to photograph airplanes in public
Robert M. Gary wrote: However, my concern would be with the TSA. Going around taking pictures, especially after the recent postings by some groups concerning blownig up GA aircraftm, would generate interest. Well, with TSA, you never know what those guys are going to think (or if, for that matter). It is not just TSA, either. Photographers have been assaulted for taking pictures of a park when there were children present, even if the children did not appear in the photos. I know of one guy who had a parent try to run over with a car, call him a pervert, and held him prisoner until the cops showed up to set him free. (Hmmm.... Seems photographers and pilots have a lot in common, including the general public's assumption that we are criminals.) Photographers are regularly questioned by people who are concerned about their pictures of everything from bridges to skyscrapers, to airplanes. You can argue that nearly everything has some sort of security risk. ("Look! See that man! He took a picture of a bee on a flower! He must be a terrorist!") Bert Krages has created a "bust card" for photographers, not unlike the one the ACLU gives to protesters. You can find it he http://www.krages.com/bpkphoto.htm But really, the only thing you can do if someone starts to hassle you is to remain polite and non-confrontational, get his badge number if he has one, and make a complaint to his boss, pointing out that your civil rights were being violated and that it should not continue. One thing that the OP should realize, too, is that some municipalities (notably New York) are very aggressive about collecting licensing fees for commercial cinematography conducted within their city limits. Some cities spend a small fortune marketing themselves to film studios. They claim that it is to help cover their costs for the drain on municipal services created by film crews, but it gets pretty ridiculous for New York to argue that a lone individual shooting a documentary in Central Park is a hazard to himself or anyone else. The real issue is that these towns want a piece of whatever you make off the film; often they want far more than you will make off the film. |
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