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On inquiry, I was told by technical people (I suspect it is a
near-garage shop operation) at Headsets Inc that their rejection system is all analog. Being somewhat familiar with analog and digital noise cancelling systems, I can verify that from the HInc system that I have. Oddly enough the final performance seems somewhat similar. It is easy to talk about a 180 degree cancelling pressure waveform generator (per Roger above), but that is an over-simplification of the problem that isn't acheiveable from a real control loop stability standpoint. Digital systems get around this by a slow optimization in the frequency domain over a wide (i. e. hi) frequency range at the expense of being able to cancel random noise, whereas analog does it in the time at the expense of bandwidth, limiting it to a few hundred Hz, but making analog better at random uncorrelated noise rejection. The Headsets inc website posted the rejection capability of their system At low frequencies it is about as good as the best digital system. At high frequencies (above say 300 Hz), the passive rejection capability of a good headset (mine is a David Clark H10-40) is more than adequate to the task for my ears. I've been trying to get HI interested in random motorcycle helmet noise cancellation (generally under 100 Hz) but they don't seem interested - or they may know why the analog control system can't be made stable. From my engineering experience, a 300 Hz analog response loop is an impressive acheivement. |
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"nrp" wrote in message
oups.com... On inquiry, I was told by technical people (I suspect it is a near-garage shop operation) at Headsets Inc that their rejection system is all analog. So the answer to my question is "no", you do not have first-hand knowledge of any headset that uses a predictive cancelling algorithm such as you describe. Okay, thanks. |
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Peter Duniho wrote:
So the answer to my question is "no", you do not have first-hand knowledge of any headset that uses a predictive cancelling algorithm such as you describe. Okay, thanks. According to: http://www.telex.com/aircraft/produc...ratus50Digital that's what they do. Never used one - I have no idea how well it works, if at all. I have a Bose, a Lightspeed 15XL, and a Clarity Aloft. -- Marc J. Zeitlin http://www.cozybuilders.org/ Copyright (c) 2006 |
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![]() "Marc J. Zeitlin" wrote According to: http://www.telex.com/aircraft/produc...ratus50Digital that's what they do. Never used one - I have no idea how well it works, if at all. I have a Bose, a Lightspeed 15XL, and a Clarity Aloft. Which is about what I was saying in my post, back a bit. I thought they all worked that way, but I learned something new, in this thread. I did not think that the electronic switching reactions to sound would be quick enough to cancel a rising sound pressure, as it happens, by applying an immediate 180 degree out of phase correction. I thought the correction was applied to the next pulse, as it would happen, if it occurred again. -- Jim in NC |
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So the answer to my question is "no", you do not have first-hand knowledge
of any headset that uses a predictive cancelling algorithm such as you describe. Okay, thanks. I do have 25 years ystem engineering experience with error cancellation techniques in the frequency domain. |
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![]() So the answer to my question is "no", you do not have first-hand knowledge of any headset that uses a predictive cancelling algorithm such as you describe. Okay, thanks. I do have 25 years of system engineering experience with error cancellation techniques in the frequency domain, as well as analog error minimization techniques. |
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On 30 Aug 2006 18:10:23 -0700, "nrp" wrote:
On inquiry, I was told by technical people (I suspect it is a near-garage shop operation) at Headsets Inc that their rejection system is all analog. Being somewhat familiar with analog and digital noise cancelling systems, I can verify that from the HInc system that I have. Oddly enough the final performance seems somewhat similar. It is easy to talk about a 180 degree cancelling pressure waveform generator (per Roger above), but that is an over-simplification of the problem that isn't acheiveable from a real control loop stability standpoint. True it is a bit of an over simplification and it doesn't give the ultimate noise cancellation of digital overall or predictive over specific ranges. OTOH it does work very well as any user who has turned off their analog ANR while in flight and then turned them back on. The difference is astounding and it is substantial so the analog phase canceling works. Also this is not an area where you are looking for control loop stability, but rater effectiveness and they are not the same. Digital systems get around this by a slow optimization in the frequency Remember the add hype and the claims that the new Telex has this exclusively. We have to remember too that when you look at the difference in db it doesn't appear much different. OTOH db is a ratio and every 3 db is a doubling, or cutting in half depending on the direction you are headed. domain over a wide (i. e. hi) frequency range at the expense of being able to cancel random noise, whereas analog does it in the time at the expense of bandwidth, limiting it to a few hundred Hz, but making My day-to-day experience says the bandwidth limitation is not nearly that drastic, but is on the order of one full magnitude wider at 3,000 Hz where the fall off becomes noticeable. analog better at random uncorrelated noise rejection. The Headsets inc website posted the rejection capability of their system At low frequencies it is about as good as the best digital system. At high frequencies (above say 300 Hz), the passive rejection capability of a good headset (mine is a David Clark H10-40) is more than adequate to the task for my ears. I've been trying to get HI interested in random motorcycle helmet noise cancellation (generally under 100 Hz) but they don't seem interested - or they may know why the analog control system can't be made stable. A system that works on random noise by nature isn't stable, or we are using the word differently. However a low frequency repetition rate does not necessarily mean a low frequency sound. The bark of an exhaust, supersonic prop tips, or a gun shot are all sounds with very short rise times which makes them a high frequency sound, but with a low repetition. From my engineering experience, a 300 Hz analog response loop is an impressive acheivement. They sure do a good job on that big Continental exhaust bark at low RPM. All you hear are the accessories running. Roger Halstead (K8RI & ARRL life member) (N833R, S# CD-2 Worlds oldest Debonair) www.rogerhalstead.com |
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