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#1
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When I want to take video I set the camera on the top of the panel on an
unused sponge. I have a couple of elastic straps that hold it securely to the sponge. No image stabilization needed. I set the camera to the landscape setting so it won't focus on the windshield, it focuses on infinity. It is much easier with a camera with the swing out window. I adjust the camera up and down in such a way that the engine cowl is just barely showing on the bottom of the screen, camera fully zoomed out. I also have an audio cable that goes from one of the headset jacks to the cameras mic in jack. Works like a charm except for there being no engine noise on the film. Works really cool when you put it on a DVD with music in the background. John T wrote: "Jay Beckman" wrote in message news:2WAdd.7321$SW3.1273@fed1read01 How do you mount your video camera? Or do you have someone in the backseat with a really steady hand? Thanks! ![]() Here's the link describing how I typically set up the camera: http://www.tknowlogy.com/TknoFlyer/CockpitVideo.htm There are flights I've taken where passenger considerations - or just plain forgetting the tripod - have dictated putting the camera on the dash (thank goodness for image stabilization), but usually the camera is mounted on a tripod with two legs on the floor and the camera raised to the ceiling for stability. |
#2
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"Newps" wrote in message
... When I want to take video I set the camera on the top of the panel on an unused sponge. I have a couple of elastic straps that hold it securely to the sponge. No image stabilization needed. I set the camera to the landscape setting so it won't focus on the windshield, it focuses on infinity. It is much easier with a camera with the swing out window. I adjust the camera up and down in such a way that the engine cowl is just barely showing on the bottom of the screen, camera fully zoomed out. I also have an audio cable that goes from one of the headset jacks to the cameras mic in jack. Works like a charm except for there being no engine noise on the film. Works really cool when you put it on a DVD with music in the background. Newps, Forgive me for asking a "noob" kind of question but, Is it legal to create home-made camera mounts? Does it make a difference if you do it like you or John do it (where it's inside the cabin...) and don't try to duct tape it to the strut? (Yes, I'm exagerating here...) I know that STC'd pods and mounts are really expensive, combersome, etc. But as much as I'd love to (eventually) shoot some of my flying experiences, I'd be more scared of getting busted for "jerry-rigging" something if Mr. FAA were to stop by for a chat. What's the "official" word on this? Thanks, Jay Beckman Chandler, AZ PP-ASEL Still nowhere to go but up! |
#3
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![]() Jay Beckman wrote: Newps, Forgive me for asking a "noob" kind of question but, Is it legal to create home-made camera mounts? First off I don't care what the Feds might think, it's a portable deal. Second look at Lowry's setup. The Feds would have a conniption fit with that setup before they worry about mine. Get in any kind of accident and you have flying camera parts. Not good. Does it make a difference if you do it like you or John do it (where it's inside the cabin...) and don't try to duct tape it to the strut? (Yes, I'm exagerating here...) His is dangerous, mine ain't. Also and more importantly I only want the video to be of outside the plane. To get a good look at the panel and also of whatever is outside is extremely difficult for the camera. That's a shot with lots of backlighting. I know that STC'd pods and mounts are really expensive, combersome, etc. But as much as I'd love to (eventually) shoot some of my flying experiences, I'd be more scared of getting busted for "jerry-rigging" something if Mr. FAA were to stop by for a chat. I wouldn't worry about it. |
#4
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"Newps" wrote in message
His is dangerous, mine ain't. Lowry's? Or duct tape? Also and more importantly I only want the video to be of outside the plane. To get a good look at the panel and also of whatever is outside is extremely difficult for the camera. That's a shot with lots of backlighting. Yeah, contrast is a problem, but the times I've wanted panel-only shots I've engaged the "backlight" feature of my camera. "Whites out" everything in the background (in daylight, of course), but the panel comes in nicely. -- John T http://tknowlogy.com/TknoFlyer http://www.pocketgear.com/products_s...veloperid=4415 ____________________ |
#5
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![]() John T wrote: "Newps" wrote in message His is dangerous, mine ain't. Lowry's? Or duct tape? Lowry's. You don't want any missiles behind you in a wreck. Also and more importantly I only want the video to be of outside the plane. To get a good look at the panel and also of whatever is outside is extremely difficult for the camera. That's a shot with lots of backlighting. Yeah, contrast is a problem, but the times I've wanted panel-only shots I've engaged the "backlight" feature of my camera. "Whites out" everything in the background (in daylight, of course), but the panel comes in nicely. What would be the purpose of a panel shot? Instrument training? I would like to get a very small camera and remote mount it. A camera on the top of the tail would be ideal, just like on the Discovery Wings channel program where that woman learns to fly. Or a camera mounted on the belly a few feet behind the main wheels would be really cool. You could mount it to an inspection cover for quick removal. If anybody knows of a small, light camera post a link. |
#6
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"Newps" wrote in message
What would be the purpose of a panel shot? Instrument training? Pretty much. I was interested in reviewing my performance on a few approaches. I would like to get a very small camera and remote mount it. A camera on the top of the tail would be ideal, just like on the Discovery Wings channel program where that woman learns to fly. Or a camera mounted on the belly a few feet behind the main wheels would be really cool. You could mount it to an inspection cover for quick removal. If anybody knows of a small, light camera post a link. I've looked into the same type of thing. Google for "bullet camera" and "helmet camera" for an idea of styles/prices. The only downside is the need for another recorder (pretty much another camera) that drives the total cost of the project up significantly. On the up side, several of the cameras you can find have the capability of being mounted on your headphones or clipped on your hat. Others, like a couple models at www.helmetcamera.com look like they'd be easily mounted on an access panel. That would make for some interesting picture-in-picture collections. -- John T http://tknowlogy.com/TknoFlyer http://www.pocketgear.com/products_s...veloperid=4415 ____________________ |
#7
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To get a good look at the
panel and also of whatever is outside is extremely difficult for the camera. That's a shot with lots of backlighting. Just put an ND filter over the top part of the lens, and it will dim the view out the window without altering the view of the instruments. Jose |
#8
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"Jose" wrote in message
m Just put an ND filter over the top part of the lens, and it will dim the view out the window without altering the view of the instruments. I've thought of that, but the contrast is *really* high and I'm not sure the ND filter would do the trick. On top of that, my camera takes an unusual size filter (not impossible to find, but just harder) and finding a half filter in my size has proven difficult. Frankly, it just hasn't been that important to me. ![]() -- John T http://tknowlogy.com/TknoFlyer http://www.pocketgear.com/products_s...veloperid=4415 ____________________ |
#9
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Google for graduated neutral density filter
"Jose" wrote in message m... To get a good look at the panel and also of whatever is outside is extremely difficult for the camera. That's a shot with lots of backlighting. Just put an ND filter over the top part of the lens, and it will dim the view out the window without altering the view of the instruments. Jose |
#10
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Newps wrote:
When I want to take video I set the camera on the top of the panel on an unused sponge. I have a couple of elastic straps that hold it securely to the sponge. No image stabilization needed. I set the camera to the landscape setting so it won't focus on the windshield, it focuses on infinity. It is much easier with a camera with the swing out window. I adjust the camera up and down in such a way that the engine cowl is just barely showing on the bottom of the screen, camera fully zoomed out. I also have an audio cable that goes from one of the headset jacks to the cameras mic in jack. Works like a charm except for there being no engine noise on the film. Works really cool when you put it on a DVD with music in the background. Yeah, definitely set the focus to manual/infinity. My camera has image stabilization built-in (I don't even know if you can turn it off), but the padded dash on our C182 absorbs much of the engine vibration. Even so, I'm not sure how good the video would be without the IS. I use a portable intercom that has an audio out jack for cockpit audio. I've heard of folks having no problems going directly from the intercom system into the camera, but since I already had the portable, I've not bothered trying the direct link, yet. Your idea of music in the background is cool, too. Check this out: http://tknowlogy.com/TknoFlyer/flights.asp#040509 "040509 Highlights" ![]() -- John T http://tknowlogy.com/TknoFlyer http://www.pocketgear.com/products_s...veloperid=4415 ____________________ |
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